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Classical concerts featuring
Leopold Hurt

Overview

Quick overview of musician Leopold Hurt by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
3

ProgramFrequently performs

Franz Schubert
Works by
Franz Schubert
2
Johann Sebastian Bach
Works by
Johann Sebastian Bach
2
Works by
Luciano Berio
2
Works by
Rafiq Bhatia
2
Works by
Rhiannon Giddens
2
Works by
Alexander Schubert
1
Works by
Denis Połeć
1
Works by
Michael Brailey
1
Works by
Monika Dalach
1
Works by
Sina Fani Sani
1

MusiciansFrequently collaborate with

Musician
Andrej Koroliov
2
Musician
Asya Fateyeva
2
ensemble
Ensemble Resonanz
2
Musician
Alexander Schubert
1
Musician
Carola Schaal
1

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Upcoming Concerts

Concerts featuring Leopold Hurt in season 2024/25 or later

March 4, 2025
Artistic depiction of the event

Ensemble Resonanz / Asya Fateyeva / Leopold Hurt

Tue, Mar 4, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Ensemble Resonanz, Asya Fateyeva (Saxophon), Leopold Hurt (Conductor)
An open archive as philosophy and practice. Where material and resources are open to all, boundaries become new horizons – and scores become white canvases: Asya Fateyeva and Ensemble Resonanz explore creative ways of transformation with works by Franz Schubert, Johann Sebastian Bach, Luciano Berio and others. The saxophone, a bold pioneer in the classical repertoire, explores the boundaries of the familiar and invites you to an evening full of surprising twists, transformations and new interpretations: Franz Schubert’s »Arpeggione Sonata« in a double arrangement by Luciano Berio offers a glimpse into his own work in progress, as do collectively developed versions from the Kronos Quartet’s »50 for the future« collection. Only one remains untouched: Bach’s »Air«, in which the original can once again be considered the new.
Info & Ticket (www.elbphilharmonie.de)
March 5, 2025
Artistic depiction of the event

Ensemble Resonanz / Asya Fateyeva / Leopold Hurt

Wed, Mar 5, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Ensemble Resonanz, Asya Fateyeva (Saxophon), Leopold Hurt (Conductor)
An open archive as philosophy and practice. Where material and resources are open to all, boundaries become new horizons – and scores become white canvases: Asya Fateyeva and Ensemble Resonanz explore creative ways of transformation with works by Franz Schubert, Johann Sebastian Bach, Luciano Berio and others. The saxophone, a bold pioneer in the classical repertoire, explores the boundaries of the familiar and invites you to an evening full of surprising twists, transformations and new interpretations: Franz Schubert’s »Arpeggione Sonata« in a double arrangement by Luciano Berio offers a glimpse into his own work in progress, as do collectively developed versions from the Kronos Quartet’s »50 for the future« collection. Only one remains untouched: Bach’s »Air«, in which the original can once again be considered the new.
Info & Ticket (www.elbphilharmonie.de)
May 18, 2025
Artistic depiction of the event

Decoder Ensemble

Sun, May 18, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Carola Schaal (Clarinet), Sonja Lena Schmid (Cello), Leopold Hurt (Zither), Andrej Koroliov (Piano), Andrej Koroliov (Keyboard), Jonathan Shapiro (Drums), Alexander Schubert (Live electronics)
The Decoder Ensemble always moves with the times – or is a bit ahead of it. As a »Band for New Music«, the six musicians are regular guests at the Elbphilharmonie with a wide variety of projects. »Future Recognition« explores the possibilities of artificial intelligence in music and art as part of the Hamburg International Music Festival, which takes place in 2025 under the theme of the »Future«. All works on this evening experiment with AI and are for the most part premieres by international young composers for whom working with AI is almost second nature. Creative potential or risk to people and their identity? Alexander Schubert is both ensemble member and composer. With his piece »Holo_Acid.MOV (CRYPT-File)«, he raises further key questions: lyrics, sounds and videos in this multimedia work are without exception AI generated. Since its premiere in 2021, production techniques have rapidly improved and streamlined – what does this short half-life mean for artistic creation? Multimedia artist Denis Polec has been commissioned to refine the visual part of this composition using AI.
Info & Ticket (www.elbphilharmonie.de)